Provenance:
Judith Russell, the artist’s daughter
Sansom & Company, Bristol
And thence by descent to the present owner.
Literature:
Jane Hill, 'The Sculpture of Gertrude Hermes', Lund Humphries, 2011, no.115 another cast illus. p.132
Note:
Hermes returned to the theme of Adam and Eve throughout her career, from an early woodcut made in 1924 to a larger sculpture made in 1954-55 carved from elm.